#artmatters and that is why it is so important to #saveRuminate. I’ve subscribed to numerous literary magazines over the years, letting some subscriptions expire, debating with myself about if I should renew or not with others, but with Ruminate, there is never any thought of letting my subscription go. It is one of the few literary journals I’ve held onto throughout the years and not having it around anymore is just to painful to think about. But it could happen. The all-volunteer staff is exhausted and they need paid help to keep going. So—are you in or out? I’ve made a donation, signed up for a monthly donation and for today and tomorrow subscriptions and gift subscriptions go to saving Ruminate.
The thing is, there is a dark side to being a bestseller. There are secrets they don’t share publicly.
I know because I’ve worked inside the Publishing Machine for nearly a decade, advising multi-million dollar bestsellers and publishers on everything from creative development to grassroots marketing. I’ve been equal parts strategist, editor, and counselor.
Bestsellers carry secrets, and if they were to share a few it might be these.
Read the rest of the post; well worth it.
Kevin has a lot of good information in his weekly newsletters, and I look forward to reading them every week.
Find Kevin on Twitter
Part voyeur, part inspiration, every Monday you get a glimpse into the lives of authors and other thinkers who share a picture of their bedside table, a view into what matters to them right now, the things that inspire them, that occupy their minds.
Karin Gillespie is a friend and a writer with a strong sense of humor. She’s also full of great writing advice. Below are excerpts of where she’s been on the web lately, with links to the full articles:
From A Master‘s in Chick Lit:
I’m a genre writer. Gary Shteyngart hasn’t blurbed any of my novels, and Marion Ettlinger has never photographed me for a book jacket. I’m more at ease with the sequins and shirtless men at the Romantic Times conference than I am with the serious eyewear at poetry readings. When critics describe my work, which is basically chick lit, they don’t say it’s emotionally astute, sweeping or a tour de force. They call it “a fast-paced screamer.”
Read the rest here.
From How I Got Published in The New York Times on My First Try (and What Happened Next)
One of my favorite movies is Julie and Julia. If you haven’t seen it, it’s the true story of a young woman named Julie Powell who cooks Julia Child’s recipes and blogs about her experiences. Powell is eventually featured in the New York Times and after the paper comes out, she’s deluged with calls from agents and editors. And later, of course, Amy Adams plays her in a Nora Ephron movie. What more could a writer ask for?
Read the rest at Writer Unboxed.
This post is a collection of all the blogs posts since our last roundup.
Several weeks ago, Shannon Huffman Polson’s book North of Hope was featured on Why The Writing Works. Today’s post is an interview Shannon kindly agreed to, taking time out of her very busy schedule to answer a few questions.
WTWW: Your memoir North of Hope A Daughter’s Arctic Journey is a very personal story through grief. How difficult was it to not only write this book, but then release it out into the world?
SHP:Writing memoir is a funny thing in that you may include some memories that are so intimate you may only have shared them with a spouse, but I think it’s this willingness to be vulnerable to write toward the truth of the work that is the heart of writing, what allows a book to connect to a more universal human experience. This connection is the whole purpose of writing a book. It’s also important to remember that a book has limitations; 250 pages is not the same as an experience or a life. One of the most difficult things is crafting the narrative, deciding what must be included and what (no matter how important it seems) must be left out in service to the story. I think it’s important for both writers and readers to remember the possibilities but also the limitations of a narrative.
WTWW: Your web address is A Border Life (dot) com and on your website your state you “write about the difficulties of navigating borders.” Why borders? What other borders do you hope to explore?
SHP: The idea of edges and borders has always held me. The idea of “a border life” comes from Thoreau (“with regard to nature, I live a sort of border life, on the confines of a world, into which I make occasional and transient forays…”- Thoreau, Walking) When I first started writing seriously, one of the tensions I felt most strongly, and still do, was that of life in the city, where work has required I, and now my family, live most of our time, set against life in a more rural setting, the strengths and weaknesses of both. I think a third book might look at this more deeply. I am also aware of borders of life and death, of self and other, of women and men, as those that we are forced to live with every day. I love the idea of the ecotone as well, the border between ecosystems that is a transition area, a place where two ecosystems integrate. Borders are infrequently as hard and fast as they are drawn on maps or held in arguments, and I think this area on the edge, this requirement of integration, is where the possibilities for our own growth lie.
WTWW: You end your book with an afterword about the dangers the fragile ecosystem of the coastal arctic plain face from development. What do we stand to lose if this ecosystem is developed?
SHP: We would love one of our very last wild places, and that part of us that can hold a place as sacred. There is only a tiny percentage of the Alaskan coastline that is undeveloped, and it’s a tragedy that we can’t agree to protect it. Now, of course, the threats are much more complex, from the rapid changes occurring due to warming in the Arctic areas which changes this fragile landscape in unimaginable ways, both on land and in the sea where there is no longer sea ice (where even I experienced it in 2006.) This puts whole ecosystems and the animals and birds that rely on them at risk. What we don’t seem to see is that in our connection to wilderness, it puts us at risk too.
Wilderness is so much more than a place on the map; it is a place in our consciousness, a place that allows us to understand the fullness of potential and possibility, and love in all it’s terrible and beautiful forms. I am afraid of the way our culture seems to be losing the ability to see the sacred, in wilderness, in each other. Our connection to the wilderness, felt or not, is both body and soul. When we destroy the wilderness, we are destroying ourselves.
WTWW: Any other writing projects you’d like to discuss?
SHP: The book I’m working on now is exploring ideas that come from my experience as one of the first women to fly attack helicopters after the combat exclusion clause was lifted in 1993. I’m not yet clear what the key themes will be; certainly connection and aloneness, narrative inclusion and exclusion, and men and women, though I’m constantly surprised at what comes up as I do my work, so I’m not yet prepared to give a full answer about it, but it’s both terribly risky and exciting. Stay tuned!
WTWW: What are your interests outside of writing?
SHP: I‘m an avid chorister, and sing with an incredible group in Seattle called Seattle Pro Musica. I love to hike, backpack, and ski— nordic, alpine and backcountry. I love spending time outside in Washington and Alaska, or anywhere, with my family, my husband and two happy active boys. That’s most of it!
WTWW: Anything else you’d like to discuss?
SHP: Thank you for having me visit your blog community!
Thank you, Shannon!
Connect with Shannon:
If you wish to read more of her writing, Shannon also contributes to Image Journal’s Good Letters blog.
Support literary magazines–they need you!
River Teeth Journal–publishes non-fiction
Wips Journal-Works (of fiction) in Progress–focuses on fiction.
Superstition Review-publishes art, poetry, fiction, and creative non-fiction
New Ohio Review-publishes fiction, poetry, and non-fiction
Contributor Gabrielle Freeman has started her own website–Lady Random. Her tagline: “Writing is your mistress. Submit!”
Also check out Rocko Rocket–creation of contributor Yolande Clark-Jackson
Voice-as defined (sorta kinda) by wikipedia-states “The writer’s voice is the individual writing style of an author, a combination of idiotypical usage of syntax, diction, punctuation, character development, dialogue, etc., within a given body of text (or across several works).
For more thoughts on voice, check out these blog posts:
Ten Steps to Finding Your Writing Voice
How Can I Find My Writing Voice?
What Is Writer’s Voice?
Know of any posts/articles/advice on voice? Post the links in the comments. (links not contributing to the discussion will be deleted)
Image Journal: Bridging Faith and Imagination. Their blog “Good Letters”
From Image’s About page: A culture is governed by its reigning myths. However, in the latter days of the twentieth century, there is an uneasy sense that materialism cannot sustain or nourish our common life. Thankfully, religion and art have always shared the capacity to help us to renew our awareness of the ultimate questions: who we are, where we have come from, and where we are going. Read more at the above link-Bridging Faith and Imagination. Publishes poetry, fiction, and creative non-fiction
Ruminate From Ruminate’s About page: ru’mi-nate: to chew the cud; to muse; to meditate; to think again; to ponder. Ruminate is a quarterly magazine of short stories, poetry, creative nonfiction, and visual art that resonate with the complexity and truth of the Christian faith. Each issue is a themed forum for literature and art that speaks to the existence of our daily lives while nudging us toward a greater hope. Because of this, we strive to publish quality work accounting for the grappling pleas, as well as the quiet assurances of an authentic faith. Ruminate Magazine was created for every person who has paused over a good word, a real story, a perfect brushstroke— longing for the significance they point us toward. Please join us.
Unstuck publishes once a year. From their about page: Unstuck is an independent, nonprofit annual based in Austin, Texas. We emphasize literary fiction with elements of the fantastic, the futuristic, or the surreal—a broad category that would include the work of writers as diverse as Abe, Ballard, Borges, Calvino, Tutuola, and (of course) Vonnegut. In our pages, you’ll find everything from straight-up science fiction and fantasy to domestic realism with a twist of the improbable. We feature a mix of established and emerging fiction writers from both the genre and literary publishing communities. We also publish a limited selection of poems and essays. Interviews and Excerpts
Posts in regards to:
When the Manic Muses Show Up
One Writer’s struggle with Writer’s Block
Do stories have expiration dates?
Resources for Writers
Clued into Lego Librarians at Book Riot
Creating a Pen Name