Everything I Never Told You-Celeste Ng

Everything I Never Told You is Celeste Ng’s debut novel and she sets the bar high. Her novel revolves around the a Chinese-American family living in small town Ohio, a rarity in the 1970s.

What works in this novel is Ng’s use of a third person narrator, and through this narrator, we learn how deeply dysfunctional and non-communicative the Lee family is. The novel begins: “Lydia is dead. But they don’t know this yet. 1977, May 3, six-thirty in the morning, no one knows anything but this Innocuous fact: Lydia is late for breakfast” (1). Lydia’s death reveals how isolated each family member is from all the others. Set apart from their community because of the bi-racial nature of the family, they are also set apart from each other. Lydia’s death isolates her family further from their community–her death is a suspected suicide–and, when most needed, each other as well.

Ng’s third person narrator slowly reveals the inner thoughts and disappointments each family member harbors. Through her death, this narrator also shows each family member struggling to cope with what the each wanted reality to be, and the truth. The old saying is the truth shall set you free. In this case, the truth severs the frayed threads tying this family together, sending each of them tumbling through their grief, unmoored from each other.

Lydia is sixteen and a perfect mix of her genetic heritage: “But Lydia, defying genetics, somehow has her mother’s blue eyes, and they know this is one more reason she is their mother’s favorite. And their father’s too” (3). The ‘they’ in this quote are Lydia’s siblings, her older brother Nate and younger sister Hannah. Within the first few pages, the narrator reveals several secrets. Nate and Hannah know black-haired, blue-eyed Lydia is the favorite child out of the three. The only hidden secret is the parents unaware their other two children have picked up on the favoritism.

Marilyn Lee sends Nate and Hannah off to school and takes a mug from the cupboard, a routine gesture in a morning suddenly thrown off the routine. As she does so, she flashes back to a memory of Lydia when Lydia was eleven months old. Marilyn left Lydia playing in the living room on a quilt, and had gone into the kitchen for a cup of tea:

             “Marilyn took the kettle off the stove and turned to find Lydia standing in the doorway. She had started and a red, spiral welt rose on her palm, and she touched it to her lips and looked at her daughter through watering eyes. Standing there, Lydia was strangely alert, as if she was taking in the kitchen for the first time. ..The thought that flashed through her mind wasn’t How did I miss it? but What else have you been hiding?…Marilyn often had her back turned, opening the refrigerator or turning over the laundry. Lydia could’ve been walking weeks ago, while she was bent over a pot, and she would not have known” (4).

Here we learn through the narrator Marilyn doesn’t know Lydia as well as a mother should, especially when it comes to walking. After a short time, Marilyn calls the police and James at work. Eventually, through the narrator, we learn this isn’t the first time the police have been called about a missing family member.

We also see James, grading history papers in his office. He’s a tenured faculty member, a professor of American history, at Middlewood College. When younger and:

“still junior faculty, he was often mistaken for a student himself. That hasn’t happened in years. He’ll be forty-six next spring…Sometimes, though, he’s still mistaken for other things. Once, a receptionist at the provost’s office thought he was a visiting diplomat from Japan and asked him about his flight from Tokyo. He enjoys the surprise on people’s faces when he tells them he’s a professor of American history,” but becomes defensive when people “blink.” (9).

He still feels the outsider, set off by his ethnic heritage, even though he’s as American as the people he is talking too.

Throughout the novel, Ng’s effective use of the third person narrator continues to reveal the secrets of the Lee family and how those secrets keep the family isolated from each other.

Toward the end of the novel, Ng also uses her narrator to flashback to Lydia, when she was alive, allowing the dead girl at the beginning of the novel a voice in her own story. It is an inner story that has shaped Lydia’s life, one she needs to revise, with devastating results.

The novel raises questions: how well do we know family members? Is what we “know” true, or assumptions, because it’s far easier to deal with assumptions–what we want to be true–than what really is? Everything I Never Told You is a novel that has stayed with me, long after I finished reading it.

Ng, Celeste. Everything I Never Told You. New York:Penguin Group. 2014. Print.

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Why the repetition works

Why The Repetiton Works
by Cheryl Russell

One of the stories from The Best American Short Stories that I remember is Julie Otsuka‘s short story “Diem Perdidi,” a Latin phrase for “I have lost the day.” It is a phrase the narrator’s mother remembers from her high school Latin–a subject she was so proficient in she was awarded honors at her high school graduation. But now, the narrator’s mother is suffering from memory loss and by repeating the phrases “she remembers” and “she doesn’t remember,” Otsuka is able to draw the reader into the narrator’s grief as losing her mother a bit at a time.

Nearly every sentence in the story starts with one of two phrases: “she remembers” and “she does not remember.” If a sentence doesn’t start with one of these phrases, then it is probably written into the sentence. By using these phrases, Otsuka shows the cruelty of her mother’s disease, as well as it’s progression.

“She remembers” her fifth grade teacher, her mother killing the family’s chickens before this Japanese family was relocated to the desert, and her first love. “She does not remember” the names of those closest to her–her husband, the narrator–what she’s just done, such as pick a flower to put in her hair or eating lunch.

“She remembers” much of her past–in great detail–her father abandoning their family when she was young and her mother scattering salt in the corners of the house after his departure and the daughter who survived only moments after birth.

“She remembers” the names of the people at the grocery store where she currently shops, but “she does not remember” the names of her immediate family.

By repeated use of those two phrases–“she remembers” and “she does not remember,” Otsuka is able draw the reader into the narrator’s grief at her mother’s slow passing. While physically she remains in good shape, the essence of who she is, is fading away. “She remembers” and “she does not remember” serve to point out the slipping away of this woman, contrasting what is known to what is forgotten, and how what is own is continually slipping away, until “she does not remember” will become more frequent than “she remembers.”

The Best American Short Stories 2012
The Best American Short Stories 2012

Otsuka, Julie. “Diem Pardidi.” The Best American Short Stories 2012.” Ed. Tom Perrotta. Series ed. Heidi Pitlor. New York: Houghton Mifflin Harcourt, 2012. 152-161. Print.