I want to open a bookshop after reading Jen Campbell’s The Bookshop Book, (but I won’t because I know it won’t end well–I can’t very well sell books that never make it to the shelves because I need to read them first. Quality control you know.)
Campbell’s book is filled with tidbits and interesting details about books, bookshops (mainly in Europe, esp. England, but there are a few from other places around the world), readers and writers.
The book itself is divided up into easy sections for reading; but the most difficult part about this book is putting it down.
From Campbell’s website:
Every bookshop has a story.
We’re not talking about rooms that are just full of books. We’re talking about bookshops in barns, disused factories, converted churches and underground car parks. Bookshops on boats, on buses, and in old run-down train stations. Fold-out bookshops, undercover bookshops, this-is-the-best-place-I’ve-ever-been-to-bookshops…
The Bookshop Book is a love letter to bookshops all around the world.
That it is.
Gilbert’s TED talk on creativity and being creative
interested me in her newest book Big Magic Creative Living Beyond Fear. What draws me to Gilbert’s theories on creativity and creative living is her willingness to embrace mystery and the unknown in regards to the creative process. Her words are a challenge the status quo regarding creatives in general and writers in particular. I’m not going to list them all, but just a few ideas that caught my attention and made me think deeper about the creative process.
Gilbert writes in a clear and encouraging manner, defining living a creative life as “living a life that is driven more strongly about curiosity than by fear” (9) and then writes about how to allow your curiosity to trump your fear. She writes “creative living is a path for the brave. We all know this…fear is a desolate boneyard where our dreams go to desiccate in the hot sun” (13). Fear is a constant companion to those practicing any type of creativity; “This is common knowledge; sometimes we just don’t know what to do about it (13). Gilbert tells you what to do about it, and it isn’t the same tired advice about working through, shoving aside etc. She makes space for her fear; “plenty of space” (24).
It isn’t like a lot of books on creativity I’ve read and that is a good thing. I’ve never bought into the “books are like my children” line of thought; no, my children are far more precious and special than any book I will ever write.
Gilbert, Elizabeth. Big Magic Creative Living Beyond Fear. Riverhead Books: New York. 2015. Print.
Leslie Pietrzyk, fiction mentor in Converse College’s MFA program and friend to Why The Writing Works bloggers, made a big announcement at winter residency:
My manuscript of short stories won the 2015 Drue Heinz Literature Prize! My book, THIS ANGEL ON MY CHEST, will be published in the fall of 2015 by the University of Pittsburgh Press! Oh, yay!
Read the rest of her post here.
I still miss Leslie’s (and her co-leader Marlin Barton) workshops. 🙂 If you’re interested in learning from this fantastic writer, apply here.